MusicBrainz recording
Building a Mystery
Sarah McLachlan
4:14
e5bf90c3-1752-42d0-8eca-ce6b93bfafaa
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
18
linking them to it
Fingerprints
25
distinct audio files
Duration
3:58–4:16
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4d46ddf1-a6b1-4a1d-97ad-0de5e3f212c7
Also linked to
Building a Mystery by Sarah McLachlan, Building a Mystery (clean version) by Sarah McLachlan and
|
16 | 4:06–4:09 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||
| B |
a20631a4-3fca-438a-8025-7c40bbc5c939
Also linked to
Building a Mystery by Sarah McLachlan, Building a Mystery (live) by Sarah McLachlan and
|
4 | 4:07 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C |
35848735-630a-4f75-939f-c5fba82718d0
Also linked to
Building a Mystery by Sarah McLachlan, Building a Mystery by Sarah McLachlan
|
2 | 3:58–3:59 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||
| D |
e4edee89-d489-4873-a0f1-205121fc2f69
Also linked to
Building a Mystery by Sarah McLachlan
|
1 | 4:16 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||
| E |
23611852-746a-40c6-8f6b-2c849a7d9880
Also linked to
Building a Mystery (acoustic) by Sarah McLachlan, Building a Mystery (acoustic) by Sarah McLachlan and
|
2 | 4:01–4:02 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.