open source audio identification
MusicBrainz recording
Let Me Come on Home
Otis Redding
2:53
mono
e54e7fdd-5df4-43af-b2d8-a50fb254b5f5
View on MusicBrainz →
AcoustIDs
2
linked to this recording
Submissions
24
linking them to it
Fingerprints
21
distinct audio files
Duration
2:52–2:56
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
cea1c9d0-87c8-4690-a98d-f85de504cab0
Also linked to
Let Me Come On Home by Otis Redding, Let Me Come On Home by Otis Redding
|
5 | 2:56 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||
| B |
fee06bde-53cb-4fac-92c8-f18f1ec3e806
Also linked to
Let Me Come On Home by Otis Redding, Let Me Come Home by Otis Redding and
|
16 | 2:52–2:55 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.