open source audio identification
MusicBrainz recording
We Are the Champions (ruined by Rick Rubin)
Queen
3:25
e50a2e21-cb6a-4a4b-ae25-e78c483a75b0
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
65
linking them to it
Fingerprints
35
distinct audio files
Duration
3:20–3:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3b0a66fa-4c40-40ee-aa56-38de6b374617
Also linked to
We Are the Champions (Rick Rubin remix) by Queen, We Are the Champions by Queen
|
3 | 3:27–3:29 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
b57decde-495d-4acb-ac2c-e15a62f0501b
Also linked to
We Are the Champions by Queen, We Are the Champions by Queen and
|
15 | 3:26–3:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | ec9904ef-c0a5-4efc-b2e9-73d5a63fe732 | 4 | 3:20–3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
0c5ceab4-d530-4a5a-b83b-056fdb9307d9
Also linked to
We Are the Champions by Queen, We Are the Champions by Queen and
|
5 | 3:26–3:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
d0d63167-4385-44d3-af6f-b54e0319c5ae
Also linked to
We Are the Champions by Queen, We Are the Champions by Queen and
|
4 | 3:28–3:30 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
d25bb6a8-51d2-4e9c-b58e-020f3783b625
Also linked to
We Are the Champions by Royal Philharmonic Orchestra, We Are the Champions by Royal Philharmonic Orchestra and
|
4 | 3:20–3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.