open source audio identification
MusicBrainz recording
Over the Hills and Far Away
Led Zeppelin
4:51
e4b6335e-9cbe-4e88-913b-3805b6381c77
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
36
linking them to it
Fingerprints
87
distinct audio files
Duration
4:42–5:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
251eff4a-151f-4daf-bc32-ae6ae45f1007
Also linked to
Over the Hills and Far Away by Led Zeppelin, Over the Hills and Far Away by Led Zeppelin and
|
24 | 4:46–4:53 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
3fa102a4-3ee0-4910-b6e1-5c67c92ab943
Also linked to
Over the Hills and Far Away by Led Zeppelin, Over the Hills and Far Away by Led Zeppelin
|
4 | 4:48–4:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
b96cdacc-578c-4428-8856-d081d3bc143f
Also linked to
Over the Hills and Far Away by Led Zeppelin, Over the Hills and Far Away by Led Zeppelin and
|
37 | 4:48–4:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
91686b08-4482-4172-bf8a-b118d4e24349
Also linked to
Hots On for Nowhere by Led Zeppelin, Hots On for Nowhere by Led Zeppelin and
|
17 | 4:42–4:46 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
f6599a9d-6012-4b3a-be71-4c553383611b
Also linked to
Over the Hills and Far Away by Led Zeppelin, Over the Hills and Far Away by Led Zeppelin and
|
5 | 5:04–5:08 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.