open source audio identification
MusicBrainz recording
We Are the Popkings
Chilly
4:02
e3a058c2-ec4f-47de-9f4e-e87fe5acab4a
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
100
linking them to it
Fingerprints
125
distinct audio files
Duration
3:50–4:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | e0a9fcff-5ebf-48b5-9ba5-dae9dc7dddcf | 2 | 3:59 | ||||||||||||||||||||||||||||
| B |
f731a175-4b74-41c9-aaf4-86796cb3cd41
Also linked to
We Are the Popkings by Chilly
|
4 | 4:03–4:08 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
67c1a06e-35fa-4e97-ac47-8eb5aa97152d
Also linked to
We Are the Popkings by Chilly
|
7 | 4:00–4:04 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | f24f69cd-ea3d-4422-9feb-5de1deed4008 | 1 | 4:03 | ||||||||||||||||||||||||||||
| E | 3e596fef-b872-4210-8f56-95497f8ded1e | 4 | 3:54–4:00 | ||||||||||||||||||||||||||||
| F | 36924582-e4fa-465b-b236-7f2a1564f544 | 2 | 3:58–4:00 | ||||||||||||||||||||||||||||
| G |
80d8e208-3ebf-42e4-9382-3c4e6e67a1a9
Also linked to
Up Where We Belong by Joe Cocker & Jennifer Warnes, Up Where We Belong by Christian Bautista and
|
80 | 3:50–3:57 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 4d8e30cb-64a7-4b10-a150-d1d17ec2cd0b | 1 | 4:07 | ||||||||||||||||||||||||||||
| I | 5c27df77-19e7-4998-9afd-0568b320271d | 1 | 4:01 | ||||||||||||||||||||||||||||
| J |
bfa16c4a-b934-44bf-abd0-cc9d6468672c
Also linked to
Can’t We Try by Dan Hill & Vonda Shepard, Can’t We Try by Dan Hill feat. Rique Franks and
|
19 | 3:55–4:02 | ||||||||||||||||||||||||||||
|
Recordings linked to J
|
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| K | 5aad77f1-afbf-4a39-b9a0-19ee6bbd9efd | 1 | 3:54 | ||||||||||||||||||||||||||||
| L |
9b08b32e-1181-4a65-9ccd-f4f8f3aab264
Also linked to
Love on the Rebound by Chilly
|
3 | 4:00–4:05 | ||||||||||||||||||||||||||||
|
Recordings linked to L
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.44 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.24 | 0.50 | 0.56 | 0.42 | 0.00 | 0.45 | 0.31 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.24 | — | 0.38 | 0.24 | 0.00 | 0.00 | 0.24 | 0.12 | 0.00 | 0.46 | 0.00 |
| D | 0.00 | 0.50 | 0.38 | — | 0.58 | 0.38 | 0.00 | 0.23 | 0.17 | 0.00 | 0.40 | 0.00 |
| E | 0.00 | 0.56 | 0.24 | 0.58 | — | 0.67 | 0.00 | 0.43 | 0.00 | 0.00 | 0.36 | 0.00 |
| F | 0.44 | 0.42 | 0.00 | 0.38 | 0.67 | — | 0.00 | 0.31 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.45 | 0.24 | 0.23 | 0.43 | 0.31 | 0.00 | — | 0.32 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.31 | 0.12 | 0.17 | 0.00 | 0.00 | 0.00 | 0.32 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.46 | 0.40 | 0.36 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |