open source audio identification
MusicBrainz recording
More and More
Blood, Sweat & Tears
3:04
e38359fc-709b-4e77-8d89-dfcab7016d50
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,025
linking them to it
Fingerprints
57
distinct audio files
Duration
2:50–3:07
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3337df3c-0b39-472f-ba0f-c750f4ea95ed
Also linked to
More and More by Blood, Sweat & Tears, More And More by Blood, Sweat & Tears
|
32 | 3:01–3:07 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 6e6bd1d3-33b1-45d1-ac78-ec2d99a119cd | 4 | 3:05–3:06 | ||||||||||||||||||||||||||||
| C | 06a38dd6-0bf0-48b3-ba01-1646f639856d | 1 | 3:05 | ||||||||||||||||||||||||||||
| D | 2097e71a-e3ee-47eb-950d-4decbbb06ecf | 4 | 3:02–3:04 | ||||||||||||||||||||||||||||
| E |
2f492c22-3cb3-4a02-b95f-d5d627ce7d97
Also linked to
More, More, More by The Andrea True Connection, More, More, More by The Andrea True Connection and
|
6 | 2:55–3:02 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | a5d2ec54-b47b-42a3-ba25-1ce259bb3083 | 2 | 3:04 | ||||||||||||||||||||||||||||
| G | d46e2f71-d2ed-4040-8ddc-e4469b36b8c8 | 1 | 3:00 | ||||||||||||||||||||||||||||
| H | 06e449d6-e344-40ed-afc4-7f8008ea2756 | 1 | 2:50 | ||||||||||||||||||||||||||||
| I | a9cec2a1-69bf-4742-b243-052973b01b7e | 1 | 3:05 | ||||||||||||||||||||||||||||
| J | 2dadbb34-2550-4474-b016-04ba25b0f410 | 1 | 3:03 | ||||||||||||||||||||||||||||
| K | 48eebaed-b7bc-4eee-9047-2c1d832e1704 | 1 | 3:05 | ||||||||||||||||||||||||||||
| L |
c4dd0fc6-3a45-49ea-acaa-b1af156a4a81
Also linked to
More and More (live at Woodstock, Bethel, NY, 8/18/1969) by Blood, Sweat & Tears, More and More by Blood, Sweat & Tears
|
3 | 2:57–3:04 | ||||||||||||||||||||||||||||
|
Recordings linked to L
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.66 | 0.68 | 0.52 | 0.00 | 0.00 | 0.00 | 0.57 | 0.00 | 0.00 | 0.54 | 0.00 |
| B | 0.66 | — | 0.49 | 0.00 | 0.00 | 0.00 | 0.00 | 0.40 | 0.00 | 0.00 | 0.57 | 0.00 |
| C | 0.68 | 0.49 | — | 0.53 | 0.00 | 0.00 | 0.00 | 0.64 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.52 | 0.00 | 0.53 | — | 0.00 | 0.00 | 0.00 | 0.66 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.57 | 0.40 | 0.64 | 0.66 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.34 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.55 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.34 | 0.00 | — | 0.00 | 0.00 |
| K | 0.54 | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |