MusicBrainz recording
Love Me or Leave Me
Nina Simone
4:06
1965 studio recording
e37d79a8-54ac-471c-8ad4-d3ee3d82fd9e
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
1,175
linking them to it
Fingerprints
66
distinct audio files
Duration
2:33–4:37
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
73878c29-fd02-42a9-86c1-0f26daf01d2c
Also linked to
Love Me or Leave Me by Nina Simone
|
14 | 4:04–4:09 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B |
0b75d8fe-9b4e-4d46-8a5e-e43657515018
Also linked to
Love Me or Leave Me by Nina Simone, I’m Going Back Home by Nina Simone
|
12 | 4:01–4:08 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||
| C |
e615cd5e-02df-4151-afff-2cc9d23cb864
Also linked to
Love Me or Leave Me by Nina Simone
|
2 | 4:06 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||
| D | 9dfd8646-84d6-475a-bd68-34d0fcb2b7c8 | 1 | 4:03 | ||||||||||||||||||||||||||||||||||||||
| E |
688f3020-92bb-49c9-9fed-0d7b3568afb7
Also linked to
Love Me or Leave Me by Nina Simone
|
1 | 4:03 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||
| F |
5055d5bd-8367-40fd-9c92-9e9512493537
Also linked to
I Put a Spell on You by Nina Simone, I Put a Spell on You by Nina Simone and
|
35 | 2:33–2:40 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
|||||||||||||||||||||||||||||||||||||||||
| G | 8521cdfd-dd5d-4f50-84dc-1635a31f4acc | 1 | 4:37 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.