open source audio identification
MusicBrainz recording
The Sound of C
Confetti's
3:41
e28bc68a-0a39-4530-adf5-cd74cd5088e4
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
39
linking them to it
Fingerprints
53
distinct audio files
Duration
3:31–3:43
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ae99f720-64fc-4dae-915a-aae409b29e21
Also linked to
Sound of C by Confetti’s, The Sound of C by Confetti’s and
|
21 | 3:31–3:38 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
ce5f5399-08b3-4163-a6f9-9368ba5d13c8
Also linked to
The Sound of C by Confetti's, The Sound of C... by Confetti's and
|
17 | 3:36–3:39 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
3045aa02-c553-4c99-930b-dd446025dd7f
Also linked to
The Sound of C... by Confetti's, Sound of C by Confetti's and
|
11 | 3:37–3:40 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
52f36bf6-67eb-42fc-b2a4-8d5a750937e7
Also linked to
The Sound of C by Confetti's
|
2 | 3:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 4b343710-84be-4943-87cd-b2e86d8a53c7 | 1 | 3:41 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | dd92a620-1a4f-4497-a17a-24a2a4e4d6fa | 1 | 3:34 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.