MusicBrainz recording
Thank You Girl
The Beatles
live, 1963‐06‐19: Playhouse Theatre, London, UK
e288ed51-cfc0-4d74-aa66-7ab2ce1450ee
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
11
linking them to it
Fingerprints
40
distinct audio files
Duration
0:15–1:45
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
221f9922-50ee-4672-90bb-57e2f8d1c693
Also linked to
Thank You Girl (stereo) by The Beatles, Thank You Girl by The Beatles
|
4 | 0:29–0:31 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
03f06dc9-5f0e-4e77-a88a-0a6f2112f0af
Also linked to
Thank You Girl by The Beatles, Thank You Girl by The Beatles and
|
1 | 1:45 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
5f4b9551-adbc-4b59-91c3-fccf6db19501
Also linked to
Thank You Girl (take 8 - edit Piece) by The Beatles, Thank You Girl (stereo) by The Beatles and
|
10 | 0:26–0:31 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
950dc8d6-0186-4a9c-98e8-f0447fa3185c
Also linked to
Thank You Girl (stereo) by The Beatles
|
4 | 0:55 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
43b687a5-34b9-40bd-8933-9433e6e8169a
Also linked to
Thank You Girl (stereo) by The Beatles
|
4 | 0:35–0:36 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
d536070b-3ddc-46d3-91bb-8627ed362d18
Also linked to
Thank You Girl (take 7 - edit Piece) by The Beatles, Thank You Girl (stereo) by The Beatles and
|
10 | 0:15–0:18 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
eea2ba37-b962-4bbc-91b1-b6fbbe16bb40
Also linked to
Thank You Girl (take 13 - edit Piece) by The Beatles, Thank You Girl (stereo) by The Beatles and
|
7 | 0:30–0:32 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.