MusicBrainz recording
Don’t Stop the Music
Yarbrough & Peoples
4:07
e02790a2-3c82-4e0b-a280-4560bcf7148a
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
77
linking them to it
Fingerprints
109
distinct audio files
Duration
3:58–4:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
070b58d8-8d5c-432f-af36-bb08f2f38711
Also linked to
Don’t Stop the Music by Yarbrough & Peoples
|
11 | 4:05–4:09 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
62f87fc4-8cf3-49c9-babf-8a78a7f2f450
Also linked to
Don’t Stop the Music by Yarbrough & Peoples, Don’t Stop the Music by Yarbrough & Peoples and
|
21 | 4:06–4:13 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
|
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| C |
2a430676-dc20-4240-a116-bb9f33663ddc
Also linked to
Don’t Stop the Music by Yarbrough & Peoples, Don’t Stop the Music by Yarbrough & Peoples and
|
50 | 4:04–4:11 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
d6c55be5-695f-45e5-902a-ffd042fd7ba1
Also linked to
Don’t Stop the Music by Yarbrough & Peoples, Don’t Stop the Music by Yarbrough & Peoples and
|
9 | 4:02–4:09 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
9f944c73-3035-448e-9487-386f3b306dba
Also linked to
Don’t Stop the Music by Yarbrough & Peoples, Don’t Stop the Music by Yarbrough & Peoples and
|
18 | 3:58–4:05 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.