open source audio identification
MusicBrainz recording
One Night in Bangkok
Murray Head
4:08
e0177c56-e876-43c2-96ad-103cab12e4e7
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
378
linking them to it
Fingerprints
57
distinct audio files
Duration
4:04–4:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d2598b41-91ca-4731-912c-e8c2073fd785
Also linked to
One Night in Bangkok by Murray Head, One Night in Bangkok by Björn Ulvaeus & Benny Andersson and
|
16 | 4:04–4:11 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
b7a44533-bb72-49d4-af08-f305edae676e
Also linked to
One Night in Bangkok by Murray Head
|
20 | 4:06–4:11 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 4ab6ab2b-915d-40d2-8554-ec97212119d0 | 1 | 4:09 | |||||||||||||||||||||||
| D |
41d89acc-7315-4854-9c2c-87d1d32dcfc8
Also linked to
Bangkok by Murray Head, One Night in Bangkok by Murray Head
|
5 | 4:04–4:11 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 32f1a51f-421e-4158-9c78-a4b8f0066d1b | 1 | 4:13 | |||||||||||||||||||||||
| F | 86f3117d-972c-468b-b44d-d90bba98ff47 | 5 | 4:08–4:11 | |||||||||||||||||||||||
| G | 344c03de-9e90-41e3-861e-65d270d14052 | 3 | 4:19 | |||||||||||||||||||||||
| H |
e4ca5edf-6768-42d8-ac8c-2fc7fe513ed5
Also linked to
One Night in Bangkok by Murray Head
|
1 | 4:06 | |||||||||||||||||||||||
|
Recordings linked to H
|
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| I | c0220337-e22b-4245-b531-a870a785e3fc | 1 | 4:09 | |||||||||||||||||||||||
| J |
117af7c7-7b15-4f99-b9c2-8795ee5e9eef
Also linked to
We Are One by Maze
|
2 | 4:06–4:09 | |||||||||||||||||||||||
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Recordings linked to J
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| K | a45af7f7-9e3c-4d1b-841b-376ccf3971e1 | 1 | 4:09 | |||||||||||||||||||||||
| L | efa8d0c5-5bc9-4767-a4bc-35a91b710147 | 1 | 4:06 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.46 | 0.45 | 0.00 | 0.00 | 0.53 | 0.12 | 0.39 | 0.45 | 0.62 | 0.46 | 0.00 |
| B | 0.46 | — | 0.58 | 0.00 | 0.00 | 0.00 | 0.18 | 0.36 | 0.58 | 0.43 | 0.55 | 0.36 |
| C | 0.45 | 0.58 | — | 0.00 | 0.00 | 0.31 | 0.11 | 0.32 | 1.00 | 0.43 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.53 | 0.00 | 0.31 | 0.00 | 0.00 | — | 0.06 | 0.27 | 0.31 | 0.21 | 0.00 | 0.00 |
| G | 0.12 | 0.18 | 0.11 | 0.00 | 0.00 | 0.06 | — | 0.12 | 0.11 | 0.11 | 0.00 | 0.00 |
| H | 0.39 | 0.36 | 0.32 | 0.00 | 0.00 | 0.27 | 0.12 | — | 0.32 | 0.53 | 0.39 | 0.40 |
| I | 0.45 | 0.58 | 1.00 | 0.00 | 0.00 | 0.31 | 0.11 | 0.32 | — | 0.43 | 0.00 | 0.00 |
| J | 0.62 | 0.43 | 0.43 | 0.00 | 0.00 | 0.21 | 0.11 | 0.53 | 0.43 | — | 0.44 | 0.00 |
| K | 0.46 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.39 | 0.00 | 0.44 | — | 0.00 |
| L | 0.00 | 0.36 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.40 | 0.00 | 0.00 | 0.00 | — |