open source audio identification
MusicBrainz recording
Love and Other Bruises
Air Supply
3:42
dfcadd72-e913-4152-ba2e-5a03d8f07f10
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
398
linking them to it
Fingerprints
37
distinct audio files
Duration
3:37–3:52
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
bdf41e7a-c07a-4c3b-9c24-9af331f98c96
Also linked to
Love and Other Bruises by Air Supply, Let Me Go, Love by Nicolette Larson with Michael McDonald
|
8 | 3:41–3:44 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
e8cc53dd-e6ab-4128-9198-cc5bb345916f
Also linked to
Love And Other Bruises by Air Supply, Love and Other Bruises by Air Supply and
|
9 | 3:39–3:45 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
bf4a7b16-97b1-48a0-8950-14e755cf3add
Also linked to
Teach Me to Run by Air Supply
|
2 | 3:38 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
07dadb1a-153d-45bb-9339-450f13d4aed9
Also linked to
Love and Other Bruises (album version) by Air Supply
|
1 | 3:48 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
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| E |
f681e51f-3b95-406f-b009-960bffba5a18
Also linked to
Love and Other Bruises by Air Supply
|
12 | 3:38–3:44 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 0dc984e9-ea67-459a-9600-7e6c4a80dcc3 | 1 | 3:52 | |||||||||||||||||||||||||||||||||
| G | c5fd238f-0a70-48fc-9e41-62809ddd6940 | 1 | 3:40 | |||||||||||||||||||||||||||||||||
| H | 5e50435f-ecb1-419e-8ad1-a3f9e46fc38d | 1 | 3:37 | |||||||||||||||||||||||||||||||||
| I | a800db26-d276-4e51-8240-753194524c8c | 1 | 3:42 | |||||||||||||||||||||||||||||||||
| J | 34c75ffb-c967-4220-a2a5-34e06301ac9a | 1 | 3:40 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.42 |
| B | 0.00 | — | 0.00 | 0.87 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 1.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.87 | 0.00 | — | 0.48 | 0.00 | 0.00 | 0.00 | 0.57 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.48 | — | 0.00 | 0.00 | 0.00 | 0.47 | 0.00 |
| F | 0.00 | 0.00 | 1.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.57 | 0.47 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.42 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |