MusicBrainz recording
Latch
Disclosure feat. Sam Smith
4:16
deabe220-bb29-4e51-80f1-e3f38e5065d8
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,476
linking them to it
Fingerprints
56
distinct audio files
Duration
3:59–4:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | db68db73-4c48-4c83-aa66-58951987916b | 11 | 4:15–4:18 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | afc90552-4410-4dec-981d-8f41f93d8e87 | 21 | 4:12–4:18 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
356a16f7-4a2d-435d-9dc4-c2fe9de9a8a9
Also linked to
Don’t Worry Be Happy by Bobby McFerrin, I Love It (Riot in Belgium Forest Rave mix) by Sneaky Sound System and
|
9 | 4:18–4:23 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 829b9f0e-403b-4f59-bb30-641e19306206 | 3 | 4:27–4:29 | ||||||||||||||||||||||||||||||||||||||
| E | cef8c791-539b-4e23-90a7-08635833aba8 | 1 | 4:36 | ||||||||||||||||||||||||||||||||||||||
| F | 66f8caff-95ed-49a4-830e-07423aab8ff0 | 2 | 4:16–4:17 | ||||||||||||||||||||||||||||||||||||||
| G |
79ba8edc-e379-4c58-9e7c-500da5f4a79f
Also linked to
Disclosure by Soundnautic
|
4 | 3:59–4:00 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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| H | 3e742c7a-7837-4e8b-bffb-e93029d4fc3c | 1 | 4:14 | ||||||||||||||||||||||||||||||||||||||
| I | 4a7e55b3-6872-4255-ab32-ff4c0fa2b873 | 1 | 4:17 | ||||||||||||||||||||||||||||||||||||||
| J | ec7a7daf-c466-45bb-8826-81f7055c8459 | 1 | 4:16 | ||||||||||||||||||||||||||||||||||||||
| K | 0eaa5da4-bdc7-4fed-9e44-8ef77abe8b18 | 1 | 4:17 | ||||||||||||||||||||||||||||||||||||||
| L | a725b10c-ab12-4e72-b0e3-82872e2cb007 | 1 | 4:26 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.52 | 0.00 | 0.55 | 0.88 | 0.00 | 0.78 | 0.37 | 0.40 | 0.00 | 0.00 | 0.90 |
| B | 0.52 | — | 0.00 | 0.81 | 0.56 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.54 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.55 | 0.81 | 0.00 | — | 0.51 | 0.00 | 0.54 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 |
| E | 0.88 | 0.56 | 0.00 | 0.51 | — | 0.00 | 0.77 | 0.37 | 0.42 | 0.00 | 0.00 | 0.79 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.78 | 0.55 | 0.00 | 0.54 | 0.77 | 0.00 | — | 0.34 | 0.43 | 0.00 | 0.00 | 0.86 |
| H | 0.37 | 0.00 | 0.00 | 0.00 | 0.37 | 0.00 | 0.34 | — | 0.00 | 0.00 | 0.00 | 0.35 |
| I | 0.40 | 0.00 | 0.00 | 0.00 | 0.42 | 0.00 | 0.43 | 0.00 | — | 0.00 | 0.00 | 0.44 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.90 | 0.54 | 0.00 | 0.57 | 0.79 | 0.00 | 0.86 | 0.35 | 0.44 | 0.00 | 0.00 | — |