open source audio identification
MusicBrainz recording
This the Way to Amarillo
Hermes House Band
3:42
dddd6fd2-613e-422a-9576-ecf41ed05f2d
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
9
linking them to it
Fingerprints
28
distinct audio files
Duration
3:24–3:52
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d6c0ebad-741e-407e-8327-82dae90cdef0
Also linked to
(Is This the Way to) Amarillo by Hermes House Band feat. Tony Christie, (Is This the Way to) Amarillo by Hermes House Band feat. Tony Christie and
|
20 | 3:36–3:43 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
1c1c3156-af89-4a7a-9218-98db2bece5cb
Also linked to
(Is This the Way to) Amarillo by Hermes House Band & Tony Christie, (Is This the Way to) Amarillo (Classic radio mix) by Hermes House Band and
|
2 | 3:34 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
422d76cd-18b1-4ad5-8fc7-e9629aaa5199
Also linked to
(Is This the Way to) Amarillo (classic radio mix) by Hermes House Band feat. Tony Christie, Amarillo (classic radio mix) by Hermes House Band feat. Tony Christie and
|
3 | 3:24–3:28 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
fce14619-4241-478a-9983-70042825337d
Also linked to
(Is This the Way to) Amarillo by Hermes House Band feat. Tony Christie, (Is This the Way to) Amarillo (classic radio mix) by Hermes House Band feat. Tony Christie and
|
3 | 3:45–3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.