open source audio identification
MusicBrainz recording
Lovey Dovey
Otis Redding & Carla Thomas
2:37
dd0dc0b6-dd2b-4c1a-813f-267dccfae15f
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
655
linking them to it
Fingerprints
31
distinct audio files
Duration
2:32–2:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
2baa3f7d-9366-4eb3-825f-5bdc778e1860
Also linked to
Lovey Dovey by Otis Redding feat. Carla Thomas, Lovey Dovey by Otis Redding and
|
19 | 2:32–2:38 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
7b9c41cf-7498-494c-8c2f-788a5cfc18bd
Also linked to
Lovey Dovey by Carla Thomas feat. Otis Redding
|
2 | 2:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
7f585420-627f-4842-a4b3-80b0cfe70e80
Also linked to
Lovey Dovey by Carla Thomas feat. Otis Redding
|
4 | 2:34–2:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | bee17206-2419-40bd-816b-d6e3b6ecaa91 | 1 | 2:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E | f647c54f-1e3b-42dc-81d0-4e6c90b4a555 | 1 | 2:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | 8f40738f-0838-4b6d-b6f8-99506d8aa5a3 | 1 | 2:36 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | c0aa569c-a014-4d17-886f-8a8e2ba533a6 | 1 | 2:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | 6b243894-4d36-4206-8103-b170fb4ed877 | 1 | 2:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
| I | 337592ea-bba1-4c2f-8af9-b362404a6d98 | 1 | 2:36 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.85 | 0.00 | 0.00 | 0.39 | 0.00 | 0.00 | 0.64 | 0.31 |
| B | 0.85 | — | 0.00 | 0.00 | 0.37 | 0.00 | 0.00 | 0.61 | 0.31 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.66 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.39 | 0.37 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.64 | 0.61 | 0.66 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.31 | 0.31 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |