open source audio identification
MusicBrainz recording
Last Time I Saw Him
Diana Ross
2:39
dc636146-2cf2-4813-82cd-92859ff16a28
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
102
linking them to it
Fingerprints
61
distinct audio files
Duration
2:34–2:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7c279391-a1ce-425e-9131-5de767ac637f
Also linked to
Upside Down by Diana Ross, Theme From Mahogany (Do You Know Where You’re Going To?) by Diana Ross and
|
4 | 2:34–2:38 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
48c72a46-824a-44b0-86f4-da29d25211b5
Also linked to
Last Time I Saw Him by Diana Ross, Last Time I Saw Him by Diana Ross
|
2 | 2:42 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
e3f964af-9958-4311-ab0e-de4983866afa
Also linked to
Last Time I Saw Him by Diana Ross, The Last Time I Saw Him by Diana Ross and
|
21 | 2:45–2:52 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
0cf322c8-5602-467b-876e-36841fb396b6
Also linked to
Reflections by Diana Ross & The Supremes, The Happening (German version) by The Supremes and
|
29 | 2:46–2:53 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
8be32a8b-0345-4867-9ac3-5938aa9ab323
Also linked to
Last Time I Saw Him by Diana Ross
|
2 | 2:44–2:49 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
8058f3eb-34d0-4c46-b198-4dead4602b4b
Also linked to
Last Time I Saw Him by Diana Ross, Last Time I Saw Him by Diana Ross
|
3 | 2:38–2:40 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.