open source audio identification
MusicBrainz recording
Rose Rose I Love You
Frankie Laine
2:28
dc2e8845-3b9f-4eab-8f94-ca0f0892f8be
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
17
linking them to it
Fingerprints
79
distinct audio files
Duration
2:21–2:42
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
21cf9cdc-9d91-4f1b-b289-6c1a9b409a86
Also linked to
Rose, Rose, I Love You by Frankie Laine, Rose, Rose I Love You by Frankie Laine and
|
38 | 2:32–2:37 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
ffe77834-53bb-435e-af2a-931357110853
Also linked to
Rose, Rose I Love You by Frankie Laine, Rose, Rose, I Love You by Frankie Laine
|
4 | 2:29–2:32 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
24364f6a-4e26-45fe-ba46-065a9d0c1fb4
Also linked to
That’s All I Want From You by Jaye P. Morgan with Hugo Winterhalter’s Orchestra and Chorus, Rose, Rose I Love You by Frankie Laine and
|
12 | 2:37–2:42 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
8f511c37-d913-497a-9815-0b8758b98f7a
Also linked to
Rose, Rose I Love You by Frankie Laine, Rose, Rose, I Love You by Frankie Laine and
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17 | 2:26–2:32 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
d50bcaf9-8cab-4443-b40b-8c21f5859164
Also linked to
Rose, Rose, I Love You by Frankie Laine
|
8 | 2:21–2:28 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.