MusicBrainz recording
Heroes (We Could Be)
Alesso feat. Tove Lo
3:30
db71d01d-977d-4076-97e5-ed6d3e317fec
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
1,042
linking them to it
Fingerprints
54
distinct audio files
Duration
0:40–3:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b2776f0c-3fbb-4431-b351-2e3da36f72ba
Also linked to
Heroes (We Could Be) by Alesso feat Tove Lo, Heroes (We Could Be) by Alesso feat. Tove Lo and
|
14 | 3:26–3:33 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
2adb6185-88a8-485d-9e9c-a7c19bbd2038
Also linked to
Heroes (We Could Be) by Alesso feat. Tove Lo, Heroes (We Could Be) (extended mix) by Alesso feat. Tove Lo
|
2 | 3:34–3:39 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 1ca18e74-9b04-45c7-91a7-c8a3eb4db1a9 | 1 | 0:40 | ||||||||||||||||||||||||||||||||||||||
| D | 03312525-17d3-4865-b4da-0503c741a3d1 | 1 | 3:33 | ||||||||||||||||||||||||||||||||||||||
| E | f79d7fe9-765c-40c6-807c-eb872de664cf | 1 | 3:31 | ||||||||||||||||||||||||||||||||||||||
| F |
f0c8e015-66e9-4934-a5dc-cc64b0f2365a
Also linked to
Moves Like Jagger by Maroon 5 featuring Christina Aguilera, Moves Like Jagger (Soul Seekerz radio edit) by Maroon 5 feat. Christina Aguilera and
|
32 | 3:21–3:28 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G | a67f3f5f-728c-4ba1-aa8a-7c0df60daa3c | 2 | 3:33–3:34 | ||||||||||||||||||||||||||||||||||||||
| H | 839c4736-7f22-4684-abcd-ce3b17b9086f | 1 | 3:30 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.99 | 0.00 | 0.29 | 0.00 | 0.00 | 0.29 | 0.00 |
| B | 0.99 | — | 0.00 | 0.29 | 0.00 | 0.00 | 0.29 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.29 | 0.29 | 0.00 | — | 0.00 | 0.00 | 0.16 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.29 | 0.29 | 0.00 | 0.16 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |