open source audio identification
MusicBrainz recording
Ain’t Nothing Like the Real Thing
Marcella Detroit & Elton John
3:34
d9a266bb-b0b3-4df5-b28e-8320eeb7083f
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
1,250
linking them to it
Fingerprints
28
distinct audio files
Duration
3:10–3:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fc7132ad-b688-4bae-b07a-27aa0d085cc0
Also linked to
Ain’t Nothing Going On but the Rent by Gwen Guthrie
|
6 | 3:35–3:36 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
348ae26c-5aea-4d71-b0c1-13beb79885fa
Also linked to
The Lady Is a Tramp by Frank Sinatra duet with Luther Vandross, The Lady Is a Tramp by Luther Vandross duet with Frank Sinatra and
|
6 | 3:24–3:25 | |||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C | 94e805c1-ecf7-4dc6-afd7-5cfb0e9a017c | 1 | 3:32 | |||||||||||||||||||||||||||||||||
| D |
1175e5ae-0460-447b-8038-20e9205c741a
Also linked to
Witchcraft by Frank Sinatra duet with Anita Baker, Witchcraft by Frank Sinatra
|
4 | 3:22 | |||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
e64f5084-2a18-4d0f-a495-5abcdf228863
Also linked to
They Can’t Take That Away From Me by Frank Sinatra duet with Natalie Cole, They Can’t Take That Away From Me by Rod Stewart and
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6 | 3:10–3:11 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 0ecc938e-3383-4a03-867a-8f61e013aceb | 1 | 3:34 | |||||||||||||||||||||||||||||||||
| G |
0d6f087a-15e8-4e2b-9153-7ea72b920b64
Also linked to
Ain’t Nothing Like the Real Thing by Marcella Detroit feat. Elton John, Ain't Nothing Like The Real Thing by Marcella Detroit
|
3 | 3:53 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | c3f15d24-4cc9-4dbf-8f04-f5a9c2176c8d | 1 | 3:26 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.67 | 0.00 | 0.00 | 0.81 | 0.00 | 0.97 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.67 | 0.00 | — | 0.00 | 0.00 | 0.63 | 0.00 | 0.67 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.81 | 0.00 | 0.63 | 0.00 | 0.00 | — | 0.00 | 0.80 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.97 | 0.00 | 0.67 | 0.00 | 0.00 | 0.80 | 0.00 | — |