MusicBrainz recording
Waiting In Vain
Bob Marley & The Wailers
4:17
Dolby Atmos Mix
d954a4a7-eaa8-4146-add4-14441a4e000b
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
22
linking them to it
Fingerprints
88
distinct audio files
Duration
4:06–4:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e4f8ea9e-b1b6-4727-9893-53ecdb2d30a5
Also linked to
Waiting in Vain by Bob Marley & The Wailers, Waiting in Vain by Bob Marley & The Wailers and
|
34 | 4:10–4:17 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
bec4a8b8-1c2c-42cd-b62e-f1db3d0325f3
Also linked to
Waiting in Vain by Bob Marley & The Wailers, Waiting in Vain by Bob Marley & The Wailers and
|
7 | 4:15–4:22 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
bdd2dbf9-b7fe-4e8a-9b59-07ac6917595c
Also linked to
Waiting in Vain by Bob Marley & The Wailers, Waiting in Vain by Bob Marley & The Wailers and
|
19 | 4:06–4:13 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
7720acfe-2544-4ef4-b58d-730ea4a508fa
Also linked to
Waiting in Vain by Bob Marley & The Wailers, Waiting in Vain by Bob Marley & The Wailers and
|
17 | 4:12–4:19 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
160e9ab1-74e5-42f2-b06b-3258eedaed2a
Also linked to
Waiting in Vain by Bob Marley & The Wailers, Waiting in Vain by Bob Marley & The Wailers and
|
10 | 4:06–4:11 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
cf0de508-9c3f-4d5b-9c14-660c5c5a0094
Also linked to
Waiting in Vain by Bob Marley & The Wailers
|
1 | 4:17 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.