MusicBrainz recording
Lady of Spain
Les Paul & Mary Ford
1:53
d89d212a-d9e2-495d-980d-af5b50b0fa33
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
111
linking them to it
Fingerprints
28
distinct audio files
Duration
1:45–2:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c5c1e543-2e38-4cbb-be37-5539a369407a
Also linked to
Lady of Spain by Les Paul, Lady of Spain by Les Paul and
|
9 | 1:50–1:56 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B | a5220590-7bd7-4f4f-817d-57eb94392980 | 4 | 1:51–1:52 | ||||||||||||||||||||||||||||||||||||||
| C | 7a16da49-845e-4dd7-bba5-b42c3eadc65c | 2 | 1:47–1:48 | ||||||||||||||||||||||||||||||||||||||
| D |
1425a99f-dad7-4d62-8fe0-641dc01c08b4
Also linked to
Lady of Spain by Les Paul
|
2 | 1:51–1:52 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||
| E | e72615e8-472c-4e21-80d3-2fb710417575 | 3 | 1:57–2:03 | ||||||||||||||||||||||||||||||||||||||
| F | 28a775fd-e98a-4c87-9051-466d04e63901 | 1 | 1:52 | ||||||||||||||||||||||||||||||||||||||
| G |
a9f4bc61-4b1b-41e3-b310-52df741af66a
Also linked to
An Thimithis To Oniro Mou (The Honeymoon Song) by Mikis Theodorakis, An thimithis to oniro mou by Μίκης Θεοδωράκης and
|
4 | 1:45–1:50 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
|||||||||||||||||||||||||||||||||||||||||
| H | 57868081-1e74-4eb7-a3a8-b866267ccf05 | 1 | 1:49 | ||||||||||||||||||||||||||||||||||||||
| I |
63f85516-1ac4-4440-aab8-710e55e9622a
Also linked to
Lady Of Spain by Les Paul & Mary Ford
|
2 | 1:52 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to I
|
|||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.42 | 0.00 | 0.38 | 0.00 | 0.00 | 0.63 |
| B | 0.00 | — | 0.53 | 0.69 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.53 | — | 0.64 | 0.00 | 0.00 | 0.00 | 0.00 | 0.68 |
| D | 0.42 | 0.69 | 0.64 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.60 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.38 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.53 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.53 | 0.00 | — | 0.00 |
| I | 0.63 | 0.00 | 0.68 | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 | — |