MusicBrainz recording
Come as You Are
Nirvana
live, 1993-11-18: MTV Unplugged Unedited, Sony Studios, New York City, NY, USA
d7bd5354-080a-46ae-9019-19067b5486aa
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
16
linking them to it
Fingerprints
40
distinct audio files
Duration
3:05–4:15
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fb75c71e-830e-4cd8-a96d-96a84a76a934
Also linked to
Come as You Are by Nirvana, Come as You Are by Nirvana and
|
21 | 4:09–4:15 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
9460427a-5a25-4d2c-88dd-9bbe14e48488
Also linked to
Come as You Are by Nirvana, Come as You Are by Nirvana and
|
11 | 3:58–4:06 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 0c6eee63-e48f-4ea4-91d9-b0d356610f20 | 1 | 3:46 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
9600cc4e-c4dc-4722-9579-9b09c06f11bb
Also linked to
We Are Family (single edit) by Sister Sledge, I Love You by Donna Summer and
|
3 | 3:15–3:21 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
187c8a52-24e5-4626-9603-660e01500093
Also linked to
Lake of Fire by Nirvana, Lake of Fire by Nirvana
|
2 | 3:05–3:07 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
a84e779a-bab8-44e0-b39f-8079883f20b0
Also linked to
Come as You Are by Nirvana
|
2 | 3:55–3:58 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.