open source audio identification
MusicBrainz recording
It’s Just a Thought
Creedence Clearwater Revival
3:51
d7a5eac9-9d47-41e7-81bb-362b40233e52
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
109
linking them to it
Fingerprints
84
distinct audio files
Duration
3:36–4:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d20298c1-b283-4abe-b982-0921140c06cd
Also linked to
It’s Just a Thought by Creedence Clearwater Revival, It’s Just a Thought by Creedence Clearwater Revival and
|
13 | 3:49–3:55 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
beece692-24ee-44cb-a090-0a6d92f64533
Also linked to
It’s Just a Thought by Creedence Clearwater Revival, It’s Just a Thought by Creedence Clearwater Revival and
|
8 | 3:56–4:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C | 80ec84b1-37f2-4465-a6ef-7342a5b3e950 | 1 | 4:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | e49ca2fa-4d05-46a4-bb66-90f5ffd035c8 | 1 | 4:39 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
694f7d72-b93f-4e02-bc7b-c0b34f56b709
Also linked to
It’s Just a Thought by Creedence Clearwater Revival, It’s Just a Thought by Creedence Clearwater Revival and
|
26 | 3:51–3:58 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
6376a0fd-7670-42d7-a44b-b899861ccde6
Also linked to
Penthouse Pauper by Creedence Clearwater Revival, Penthouse Pauper by Creedence Clearwater Revival and
|
35 | 3:36–3:42 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.