open source audio identification
MusicBrainz recording
Pressure
Billy Joel
3:16
single version
d6985b25-a4d6-4396-86d2-5f3cc30c6969
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,626
linking them to it
Fingerprints
26
distinct audio files
Duration
3:06–4:42
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
352a2800-0973-484c-a9bc-888b25b4cd8f
Also linked to
She’s Got a Way by Billy Joel
|
7 | 3:14–3:16 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
129daaaa-ec38-4426-8ef4-c20441d94144
Also linked to
Pressure by Billy Joel, The Night Is Still Young by Billy Joel and
|
5 | 4:37–4:42 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
a36be00a-20d3-4978-bca2-0c7400639e55
Also linked to
It’s Been Awhile by Staind, Pressure by Staind and
|
2 | 3:15 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
f85d27c8-d697-42d3-a407-281c3fbeb8c6
Also linked to
Pressure by Billy Joel
|
1 | 3:22 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 446f8ffb-f31b-4431-96f3-8371fed282b0 | 4 | 3:06–3:09 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 674fa343-04ae-44ec-a538-068f65c78903 | 1 | 3:17 | |||||||||||||||||||||||
| G | e5ba65d5-ceb8-4aaf-b202-3cf8fa21a784 | 1 | 3:15 | |||||||||||||||||||||||
| H | f9ec5f0a-7549-4a83-81d1-8d52b22f60f5 | 1 | 3:15 | |||||||||||||||||||||||
| I | af78ed1c-0b60-4392-a226-087205f90bb2 | 1 | 3:13 | |||||||||||||||||||||||
| J | cf9a6f78-c5d5-455b-8661-912ed8e22e6f | 1 | 3:15 | |||||||||||||||||||||||
| K | f623d05b-6cf3-4adb-805a-b96b9d53722c | 1 | 3:40 | |||||||||||||||||||||||
| L | 8331c426-03da-4a0c-959e-ca4a14808075 | 1 | 4:37 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.85 | 0.00 | 0.96 | 0.00 | 0.37 | 0.00 | 0.00 | 0.49 | 0.70 | 0.69 | 0.00 |
| B | 0.85 | — | 0.00 | 0.82 | 0.00 | 0.41 | 0.00 | 0.00 | 0.49 | 0.62 | 0.65 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.96 | 0.82 | 0.00 | — | 0.00 | 0.39 | 0.00 | 0.00 | 0.46 | 0.70 | 0.68 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.37 | 0.41 | 0.00 | 0.39 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.35 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.49 | 0.49 | 0.00 | 0.46 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.70 | 0.62 | 0.00 | 0.70 | 0.00 | 0.35 | 0.00 | 0.00 | 0.00 | — | 0.62 | 0.00 |
| K | 0.69 | 0.65 | 0.00 | 0.68 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.62 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |