MusicBrainz recording
Lunch Break: Peak Hour
The Moody Blues with the London Festival Orchestra conducted by Peter Knight
5:29
1972 stereo mix
d475e3fc-90bd-405c-9748-d07d405b16c6
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
1,712
linking them to it
Fingerprints
26
distinct audio files
Duration
5:09–5:42
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
9225173f-ba35-46fb-975e-d7b8a086f7b6
Also linked to
Lunch Break: Peak Hour by The Moody Blues with the London Festival Orchestra conducted by Peter Knight, Lunch Break: Peak Hour by The Moody Blues and
|
10 | 5:29–5:33 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
9089efc0-3ff8-4f8f-8ac9-000bf97ad6cb
Also linked to
Lunch Break: Peak Hour by The Moody Blues with the London Festival Orchestra conducted by Peter Knight
|
2 | 5:30–5:33 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
a15a3c1a-d55d-402c-98de-d229143466a4
Also linked to
Lunch Break: Peak Hour by The Moody Blues with the London Festival Orchestra conducted by Peter Knight, Lunch Break: Peak Hour by The Moody Blues with the London Festival Orchestra conducted by Peter Knight
|
7 | 5:15–5:20 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 9ef9047b-0ae4-46fa-a73c-580955e72b99 | 1 | 5:20 | ||||||||||||||||||||||||||||
| E | b4e102f4-7d47-49d4-84b0-1af3276e6615 | 1 | 5:36 | ||||||||||||||||||||||||||||
| F | fce6974d-09e7-4dd8-8f40-b37bf71bb215 | 1 | 5:29 | ||||||||||||||||||||||||||||
| G | e6f350ed-0b90-4905-bed0-8713ba7ffc0f | 1 | 5:29 | ||||||||||||||||||||||||||||
| H | ca9f8567-98ef-4d8a-8535-2c4f8eaa5cad | 1 | 5:42 | ||||||||||||||||||||||||||||
| I | ef5f63a5-74db-4a66-84d2-47f06c7f15e1 | 1 | 5:28 | ||||||||||||||||||||||||||||
| J | a136de45-5ec7-4d16-82fb-4ddeb61057c6 | 1 | 5:09 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.86 | 0.57 | 0.40 | 0.00 | 0.00 | 0.00 | 0.86 | 0.00 | 0.00 |
| B | 0.86 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.87 | 0.00 | 0.00 |
| C | 0.57 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.50 | 0.39 | 0.00 |
| D | 0.40 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.42 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.86 | 0.87 | 0.50 | 0.42 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.39 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.35 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.35 | — |