MusicBrainz recording

I’m Beginning to See the Light

Ella Fitzgerald and Ink Spots 2:45 1945-02-26, mx. 72746-A
d3d284e7-6e8d-4fe7-9285-b9a683ded41a View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
305
linking them to it
Fingerprints
78
distinct audio files
Duration
2:42–4:08
range of submitted files

AcoustIDs

Most submitted first, 4 disabled
Show 4 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 393ef23b-7bcc-4fa0-8c15-cf6307132173
Also linked to I’m Beginning to See the Light by Ella Fitzgerald & The Ink Spots, Deep in the Heart of Texas by Alvino Rey and
34 2:42–2:49
248
B acb0ad89-95f1-49a5-976c-55268989f607
Also linked to I’m Beginning to See the Light by Ella Fitzgerald & The Ink Spots, I’m Beginning to See the Light by Ella Fitzgerald and
2 2:48–2:49
40
C f82df7f9-8243-49ff-8a75-2018c17996a3
Also linked to I’m Beginning to See the Light by Ella Fitzgerald & The Ink Spots, I’m Beginning to See the Light by Ella Fitzgerald and
10 2:42–2:47
11
D c80acf2e-f5ae-4b45-a574-5a1aaa209ead
Also linked to I’m Beginning to See the Light by Ella Fitzgerald & The Ink Spots, I’m Beginning to See the Light by Ella Fitzgerald & The Ink Spots and
10 2:42–2:48
2
E d1e4b5a9-c509-46e4-9396-03498b480964
Also linked to I’m Beginning to See the Light by Ella Fitzgerald & The Count Basie Orchestra, I’m Beginning to See the Light by Ella Fitzgerald and
13 4:01–4:08
1
F 09300117-a4e8-4428-93f0-b853feb9a06e
Also linked to I’m Beginning to See the Light by Ella Fitzgerald with The Ink Spots, My Heart Belongs to Daddy by Ella Fitzgerald
2 2:46
1
G 3a23bc07-3d1c-4b73-b6c2-982adca3ea46
Also linked to I’m Beginning to See the Light by Ella Fitzgerald, I’m Beginning to See the Light by Ella Fitzgerald & The Ink Spots
3 2:43–2:44
1
H 8633c4b9-75f1-4a56-b134-a7f78b420cbf
Also linked to I’m Beginning to See the Light by The Ink Spots
4 2:44
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.