open source audio identification
MusicBrainz recording
Shout (Street Respect)
Sean Paul
3:44
d36477ec-d753-4b62-a232-9de25575bd1d
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
1,164
linking them to it
Fingerprints
27
distinct audio files
Duration
3:19–4:02
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
34c775fb-ef15-476f-b8b1-63cebc7355cf
Also linked to
Shout by Sean Paul, Street Respect by Sean Paul and
|
10 | 3:42–3:46 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
e6505f4e-f6eb-44db-9692-44466fca0647
Also linked to
I'm Still in Love With You (7" radio edit) by Sean Paul feat. Sasha, I’m Still in Love With You by Sean Paul feat. Sasha and
|
4 | 3:37–3:44 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | e07ae6ca-ce77-42a6-8fab-913b857b05d6 | 6 | 3:42–3:48 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 31f82d6b-07e2-4d6b-aff0-fdfd4ce2538f | 1 | 3:55 | ||||||||||||||||||||||||||||
| E | 87471bf0-6e70-4a7d-beeb-3441434bd85a | 1 | 3:29 | ||||||||||||||||||||||||||||
| F | daff9b60-0bf1-4896-b0ed-47db363862b0 | 1 | 3:44 | ||||||||||||||||||||||||||||
| G |
eda112e8-748c-4d1a-9242-2ec1502402ae
Also linked to
Sir Paul Steven Redonkey by Museum of Science
|
1 | 3:19 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 3dfb6639-92a8-4cb2-8348-8c057198da93 | 1 | 3:51 | ||||||||||||||||||||||||||||
| I |
f4b63c56-d12c-4715-bd4a-b76b783d8bb7
Also linked to
Bad Mind 2k2 by Capleton
|
1 | 3:25 | ||||||||||||||||||||||||||||
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Recordings linked to I
|
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| J |
3769cf53-ff1e-4ddb-b449-7b1ed21e1f85
Also linked to
Party Non-Stop by Ced Synatra
|
1 | 4:02 | ||||||||||||||||||||||||||||
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Recordings linked to J
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.77 | 0.00 | 0.00 | 0.38 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.77 | 0.00 | 0.00 | — | 0.15 | 0.00 | 0.37 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.15 | — | 0.00 | 0.00 | 0.63 | 0.38 | 0.32 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.38 | 0.00 | 0.00 | 0.37 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.63 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.38 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.32 | 0.00 | 0.00 | 0.00 | 0.00 | — |