open source audio identification
MusicBrainz recording
Die Schöne Müllerin, D. 795: XIX. Der Müller und der Bach
Thomas Quasthoff, Justus Zeyen
3:50
d23fe10d-d358-4fdb-be41-fba0a79b8ea2
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
253
linking them to it
Fingerprints
24
distinct audio files
Duration
3:45–3:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | f89664d5-6f2c-4153-8f57-43ad7e3d93e0 | 2 | 3:50 | |||||||||||||||||||||||
| B |
411c7d59-d201-4fa5-9879-b20e7141a4a1
Also linked to
Jy's Die Droom by Kobus Muller & Nicholis Louw, Track 14 by Alexandre Dumas
|
4 | 3:45–3:50 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 128173ca-b441-4c74-ab00-f9999fc6bb65 | 2 | 3:50 | |||||||||||||||||||||||
| D |
799b74c8-ba0b-4984-b761-d19a6ad0c9c7
Also linked to
Die Schöne Müllerin, D. 795: VI. Der Neugierige by Thomas Quasthoff, Justus Zeyen, Spiel’ nicht mit der Liebe by Jeannine
|
5 | 3:51–3:52 | |||||||||||||||||||||||
|
Recordings linked to D
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| E |
17adb4f4-5e4b-4bb3-879c-18895dad31d2
Also linked to
Der zweite Teil der Ewigkeit by Andrea Jürgens, 348 by Gescom and
|
2 | 3:49 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 0acaafd7-86bf-4177-8f96-263c943924b7 | 1 | 3:50 | |||||||||||||||||||||||
| G | d021e6c1-e70e-4405-b29b-65fdd1f94208 | 1 | 3:50 | |||||||||||||||||||||||
| H |
0ea76b49-1afe-4981-860d-b124b204ea5a
Also linked to
Und der Sommer by Ayman, Aus der Dunkelheit by Ayman
|
3 | 3:50 | |||||||||||||||||||||||
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Recordings linked to H
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| I |
546321a6-6452-42bc-b7ce-be774b996440
Also linked to
Die Tochter by Cora, Die Tochter by Cora
|
4 | 3:49–3:54 | |||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |