MusicBrainz recording

Monday, Monday

The Mamas & the Papas 3:18
d198ed35-385c-48e6-ba56-8560149ee3f3 View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
340
linking them to it
Fingerprints
124
distinct audio files
Duration
3:13–3:26
range of submitted files

AcoustIDs

Most submitted first, 1 disabled
Show 1 disabled link
AcoustID Most common fingerprint Fingerprints Length Sources
A b2e2d0e1-c243-4e96-8070-a5610cc7b7f0
Also linked to Monday, Monday by The Mamas & the Papas, Monday Morning by The Mamas & the Papas and
20 3:16–3:24
126
B 8e3f5ffe-1708-4edc-84b3-586ff16489c4
Also linked to Monday, Monday by The Mamas & the Papas, Monday, Monday, Monday by The Mamas & the Papas and
6 3:14–3:21
61
C 20c4e1a2-f249-4c2e-945d-0bed63c514ad
Also linked to Monday, Monday by The Mamas & the Papas, Monday, Monday by The Mamas & the Papas and
7 3:15–3:22
54
D aa8a343e-c49b-4a1f-a10e-91421592d0da
Also linked to Monday, Monday by The Mamas & the Papas, Monday, Monday by The Mamas & the Papas and
49 3:18–3:26
21
E de84d26e-dcc2-492b-9da8-601aaf266c2a
Also linked to Monday, Monday by The Mamas & the Papas, Monday Monday by The Mamas & the Papas and
8 3:17–3:23
18
F de4f452e-406a-4fdf-97fe-50a501d81839
Also linked to Monday, Monday, Monday by The Mamas & the Papas
1 3:13
16
G 6bab688c-cebd-4bbc-a1e6-2291319e5dc0
Also linked to Monday, Monday by The Mamas & the Papas
1 3:23
16
H e4274f4a-ad0a-43a3-8b20-28cca47d63d5 3 3:15–3:17
10
I f46cad0a-bd1a-4802-9d81-9950ab0fde3c
Also linked to Monday, Monday by The Mamas & the Papas, Monday, Monday by The Mamas & the Papas and
15 3:15–3:22
9
J a05b8899-51f9-4e4e-9842-50ee292b17fa
Also linked to Monday, Monday by The Mamas & the Papas, Monday, Monday by The Mamas & the Papas and
8 3:13–3:20
6
K 05840930-24a5-4fa0-affa-38316ec15f33
Also linked to Monday, Monday by The Mamas & the Papas, Monday, Monday by The Mamas & the Papas
5 3:21–3:24
2
L c7c9ee6b-3f44-4277-bb2c-68c4bfb10a8d 1 3:20
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.