MusicBrainz recording
Blessed
Elton John
5:03
d1818d65-e4bc-4bae-b567-4cde55bbb81a
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
2,262
linking them to it
Fingerprints
31
distinct audio files
Duration
4:49–5:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3ae50767-e978-4b2d-9092-2d5f66bc475a
Also linked to
Blessed by Tom Hangs, Bad Side of the Moon by Elton John and
|
8 | 4:58–5:03 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||
| B | 8d229979-4a3e-4145-825e-ebe8fb884f86 | 3 | 4:54–4:55 | |||||||||||||||||||||||||||||||||||||||||||
| C | 4d5a90b5-66a6-4d51-bbeb-03e1efa52d23 | 2 | 5:06–5:12 | |||||||||||||||||||||||||||||||||||||||||||
| D |
4f59a2eb-bc57-4515-8da0-4b59067646a8
Also linked to
Come, O Come Emmanuel by Tewkesbury Abbey Choir
|
1 | 4:57 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||
| E | c63be1e2-1fe7-424c-a2e4-6068061182fa | 1 | 5:00 | |||||||||||||||||||||||||||||||||||||||||||
| F | 048e8cd6-f78e-4903-8d8e-e2eb1f583fe9 | 2 | 5:00–5:01 | |||||||||||||||||||||||||||||||||||||||||||
| G | 64dbf993-162e-463b-8c35-b59de51dd70f | 1 | 4:49 | |||||||||||||||||||||||||||||||||||||||||||
| H | 3a82dd2f-f39a-43fe-8128-e92b2a80e612 | 11 | 4:50–4:57 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
||||||||||||||||||||||||||||||||||||||||||||||
| I | 3dfcb44b-9ae5-4de3-98e3-ae2e7159b0d9 | 1 | 5:13 | |||||||||||||||||||||||||||||||||||||||||||
| J | 8e864498-cb3a-4506-a3be-b1c0259b2dc9 | 1 | 5:28 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.91 | 0.89 | 0.36 | 0.72 | 0.00 | 0.72 | 0.00 | 0.00 | 0.95 |
| B | 0.91 | — | 0.92 | 0.35 | 0.70 | 0.00 | 0.69 | 0.00 | 0.00 | 0.92 |
| C | 0.89 | 0.92 | — | 0.00 | 0.68 | 0.00 | 0.56 | 0.00 | 0.00 | 0.88 |
| D | 0.36 | 0.35 | 0.00 | — | 0.42 | 0.00 | 0.00 | 0.00 | 0.00 | 0.36 |
| E | 0.72 | 0.70 | 0.68 | 0.42 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.72 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.72 | 0.69 | 0.56 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.71 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.95 | 0.92 | 0.88 | 0.36 | 0.72 | 0.00 | 0.71 | 0.00 | 0.00 | — |