MusicBrainz recording
Loving You’s a Dirty Job but Somebody’s Gotta Do It
Bonnie Tyler and Todd Rundgren
5:50
radio edit
d1787463-5a4b-4a5e-b11f-d753cd8a35db
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
666
linking them to it
Fingerprints
63
distinct audio files
Duration
5:48–7:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8c0cf08c-3628-4fe4-9c26-7adc2966531e
Also linked to
Loving You’s a Dirty Job (but Somebody’s Gotta Do It) by Bonnie Tyler with Todd Rundgren, Holding Out for a Hero by Bonnie Tyler and
|
4 | 5:48–5:50 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B | f65949ea-5e19-4954-a34e-a925b0c23dc2 | 1 | 5:50 | ||||||||||||||||||||||||||||||||||||||
| C | a893f88f-2886-462a-bd82-49bf4ebe0535 | 1 | 6:01 | ||||||||||||||||||||||||||||||||||||||
| D | 66136a6b-a3e6-4b00-81f8-f119cee59fc0 | 1 | 5:51 | ||||||||||||||||||||||||||||||||||||||
| E |
a324a71a-be40-4053-be23-44452fd17ec0
Also linked to
Loving You’s a Dirty Job but Somebody’s Gotta Do It by Bonnie Tyler with Todd Rundgren, Loving You Is a Dirty Job but Somebody’s Gotta Do It by Bonnie Tyler & Todd Rundgren and
|
10 | 7:44–7:49 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||
| F |
3f387e7e-ceb1-411c-b432-3e8f68317a09
Also linked to
Total Eclipse of the Heart by Bonnie Tyler, Total Eclipse of the Heart by Bonnie Tyler and
|
46 | 6:53–7:00 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
|||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.