MusicBrainz recording
Say You Love Me
Fleetwood Mac
4:16
live, 1980-08-25: Kansas Coliseum, Wichita, KS, USA
d07f6bce-33d0-4c31-b4fc-60e7448b3380
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
534
linking them to it
Fingerprints
38
distinct audio files
Duration
4:09–9:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
592ede5b-845f-43b4-866f-7028fab3b74c
Also linked to
Say You Love Me by Fleetwood Mac, Say You Love Me by Fleetwood Mac and
|
11 | 4:09–4:20 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
0713c2fd-2ddb-41bf-9279-8011ef639880
Also linked to
Say You Love Me by Fleetwood Mac
|
2 | 4:10–4:17 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 7650b1b8-99fe-4465-9244-c48149b10c9f | 3 | 4:18–4:20 | |||||||||||||||||||||||
| D |
c2241b8f-db12-4467-bf9c-9702ab6e3a0e
Also linked to
Washington Blues by Elizabeth Cotten
|
2 | 4:36 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
72930db9-cb62-40c2-a72d-66d661d0a0ea
Also linked to
Guitar Story by Elizabeth Cotten
|
2 | 4:19–4:20 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 86920475-b4f3-41d5-9453-ad44d5b617d6 | 1 | 4:14 | |||||||||||||||||||||||
| G |
517e17ff-329e-44f4-97c1-713de2151ef4
Also linked to
Get ’Em Out by Friday by Genesis, Riding on a Railroad by James Taylor
|
14 | 9:13–9:20 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 00975328-2e25-4c29-8992-bc75a07e6476 | 1 | 4:16 | |||||||||||||||||||||||
| I | 6416d007-de17-46ec-abff-1c97d8e04b5e | 1 | 4:17 | |||||||||||||||||||||||
| J | 8aa5e8ff-1fcb-45cc-9ff7-c0354f9e5144 | 1 | 4:14 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.83 | 0.89 | 0.00 | 0.00 | 0.54 | 0.00 | 0.00 | 0.29 | 0.00 |
| B | 0.83 | — | 0.90 | 0.00 | 0.00 | 0.52 | 0.00 | 0.00 | 0.29 | 0.00 |
| C | 0.89 | 0.90 | — | 0.00 | 0.00 | 0.53 | 0.00 | 0.00 | 0.31 | 0.36 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.54 | 0.52 | 0.53 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.56 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.29 | 0.29 | 0.31 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.36 | 0.00 | 0.00 | 0.56 | 0.00 | 0.00 | 0.00 | — |