MusicBrainz recording
Apples, Peaches, Pumpkin Pie
Jay and the Techniques
2:24
d0679754-9a08-476a-9c4d-aa55866bc551
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
16
linking them to it
Fingerprints
43
distinct audio files
Duration
2:17–2:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0c0e8545-96f6-42cb-b57c-1c85293a940c
Also linked to
Apples, Peaches, Pumpkin Pie by The Countdown Singers, Apples, Peaches Pumpkin Pie by Jay & The Techniques and
|
20 | 2:17–2:24 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
ea8e4ff5-6d42-49ea-976b-5600ceea5069
Also linked to
Apples, Peaches, Pumpkin Pie by Jay and the Techniques, Apples, Peaches, Pumpkin Pie by Jay and the Techniques and
|
11 | 2:23–2:27 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C | 69c34114-f949-4faa-90e4-992d4b43855e | 3 | 2:18–2:22 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | ee543f53-3c07-4cff-a247-73672ea61d67 | 1 | 2:25 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
cdd1ce2c-bf2b-4ade-a9c5-83553b8f476e
Also linked to
Apples, Peaches, Pumpkin Pie by Jay & the Techniques, Apples, Peaches, Pumkin Pie by Jay and the Techniques and
|
4 | 2:20–2:24 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
1f2333a4-305c-4e1b-ad79-3973143f95db
Also linked to
Apple Peaches Pumkin Pie by Jay and the Techniques, Apples, Peaches, Pumpkin Pie by Jay and the Techniques and
|
4 | 2:25–2:28 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.