open source audio identification
MusicBrainz recording
King of the Road
Roger Miller
2:28
d02ec137-e10f-4e9f-92b1-c9fbd7a5281c
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
2,020
linking them to it
Fingerprints
174
distinct audio files
Duration
2:21–2:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
49aa4ebb-c83c-4310-b4ba-b395840a7928
Also linked to
King of the Road by Roger Miller, Standing at the Crossroads of Love by The Supremes
|
69 | 2:24–2:32 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
f4dc0975-41d3-42fb-a5ab-98aab9e05c16
Also linked to
King of the Road by Roger Miller
|
30 | 2:26–2:33 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
a87996e0-8ac6-4402-9c06-102c5ade5fd0
Also linked to
Dancing in the Street by Martha and the Vandellas
|
18 | 2:23–2:28 | ||||||||||||||||||
|
Recordings linked to C
|
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| D | 052a8ab8-5f36-4263-824e-187b9ae5f96a | 5 | 2:24–2:30 | ||||||||||||||||||
| E |
31de1fae-fdf8-4519-8c3a-380a51813253
Also linked to
Don't We All Have the Right to Be Wrong by Roger Miller, King of the road by Roger Miller
|
23 | 2:26–2:32 | ||||||||||||||||||
|
Recordings linked to E
|
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| F | 8e8c33cd-5cc0-49e4-8d65-c248f64b56a6 | 5 | 2:24–2:29 | ||||||||||||||||||
| G | 4e5ddce0-f98e-4d4f-8c16-c23a8a7ceda7 | 2 | 2:26–2:27 | ||||||||||||||||||
| H | 948286ee-c861-4e81-a078-b3c76d4c26e9 | 1 | 2:34 | ||||||||||||||||||
| I | 071921af-e535-4dfb-807e-1162eb90cce0 | 5 | 2:21–2:26 | ||||||||||||||||||
| J | d28a28a0-d662-4607-b705-9743422332e7 | 9 | 2:22–2:29 | ||||||||||||||||||
| K | a9819516-840a-4c5e-bda8-cdc4c14870b9 | 5 | 2:33–2:40 | ||||||||||||||||||
| L | 1c8f0619-e90a-4338-a6d2-39a0151f04ba | 2 | 2:28–2:31 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.75 | 0.84 | 0.00 | 0.58 | 0.54 | 0.00 | 0.98 | 0.00 | 0.40 | 0.82 | 0.36 |
| B | 0.75 | — | 0.83 | 0.00 | 0.44 | 0.00 | 0.00 | 0.75 | 0.00 | 0.35 | 0.82 | 0.32 |
| C | 0.84 | 0.83 | — | 0.00 | 0.52 | 0.47 | 0.00 | 0.85 | 0.00 | 0.41 | 0.90 | 0.40 |
| D | 0.00 | 0.00 | 0.00 | — | 0.49 | 0.40 | 0.00 | 0.00 | 0.00 | 0.42 | 0.00 | 0.00 |
| E | 0.58 | 0.44 | 0.52 | 0.49 | — | 0.87 | 0.00 | 0.57 | 0.00 | 0.00 | 0.56 | 0.00 |
| F | 0.54 | 0.00 | 0.47 | 0.40 | 0.87 | — | 0.00 | 0.53 | 0.00 | 0.00 | 0.55 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.98 | 0.75 | 0.85 | 0.00 | 0.57 | 0.53 | 0.00 | — | 0.00 | 0.40 | 0.82 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.40 | 0.35 | 0.41 | 0.42 | 0.00 | 0.00 | 0.00 | 0.40 | 0.00 | — | 0.37 | 0.00 |
| K | 0.82 | 0.82 | 0.90 | 0.00 | 0.56 | 0.55 | 0.00 | 0.82 | 0.00 | 0.37 | — | 0.37 |
| L | 0.36 | 0.32 | 0.40 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.37 | — |