open source audio identification
MusicBrainz recording
Mary Had a Little Lamb
Stevie Ray Vaughan and Double Trouble
2:47
cff144aa-b70e-4593-b3eb-3d1e229e56a9
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
114
linking them to it
Fingerprints
40
distinct audio files
Duration
2:41–3:02
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1d0ee78f-1002-49ce-a383-17da4296ac71
Also linked to
Mary Had a Little Lamb by Stevie Ray Vaughan and Double Trouble, Mary Had a Little Lamb by Stevie Ray Vaughan and Double Trouble and
|
23 | 2:41–2:48 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
683f8a10-420d-44f3-8635-f559d353838e
Also linked to
Mary Had a Little Lamb by Stevie Ray Vaughan
|
4 | 2:59–3:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
9ea9d4a4-e5e3-4982-80d8-27b7f99a9f8f
Also linked to
Mary Had a Little Lamb by Stevie Ray Vaughan and Double Trouble
|
3 | 2:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
81046dba-a526-4ef6-b60d-eb5c35518b16
Also linked to
Mary Had a Little Lamb by Stevie Ray Vaughan and Double Trouble, Mary Had a Little Lamb by Stevie Ray Vaughan and
|
10 | 2:47–2:55 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.