MusicBrainz recording

Let’s Do It (Let’s Fall in Love)

Billie Holiday 2:57
cfe3aa45-2572-47a6-9d7b-ac0e2b212e34 View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
803
linking them to it
Fingerprints
125
distinct audio files
Duration
2:37–3:02
range of submitted files

AcoustIDs

Most submitted first, 2 disabled
Show 2 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A ebeacb43-8319-461d-96d8-bd5efca2aeeb
Also linked to Let’s Do It (take 2) by Billie Holiday with Eddie Heywood & His Orchestra, Let’s Do It (take 1) by Billie Holiday with Eddie Heywood and His Orchestra and
31 2:54–2:58
602
B 65fd3cd5-3132-4ec2-899a-d104b8b868ae
Also linked to Lets Do It by Billie Holiday, Let’s Do It by Billie Holiday and
28 2:52–2:59
144
C c3b46fe2-7d02-4a8d-8368-20c1392f0d00
Also linked to Let’s Do It by Billie Holiday, Let's Do It by Billie Holiday and
13 2:55–3:01
32
D 2ba59bce-4a2a-4c11-ae20-4de5a886b4bb
Also linked to Let’s Do It (take 2) by Billie Holiday with Eddie Heywood & His Orchestra, Let's Do It - 2 by Billie Holiday & Her Orchestra
5 2:57–2:58
11
E aa1084bc-9227-453a-8cac-c28a660ee778 2 2:56–2:57
3
F 2118dca2-e17f-470c-9b01-b339313096d2
Also linked to Let’s Do It by Billie Holiday, Let’s Do It (prise master) by Billie Holiday acc. by Eddie Heywood and His Orchestra and
19 2:54–2:59
3
G a3cacb7d-1fa6-41f1-826a-f0b95772f6d5
Also linked to Let’s Do It by Billie Holiday, Let's Do It by Billie Holiday and
4 2:54–2:56
2
H 33b0e9f4-fecf-4954-b50b-b4268ade884a
Also linked to Summertime by Billie Holiday, Summertime by Billie Holiday and Her Orchestra and
6 2:56–3:02
2
I 191408a3-f8d4-46be-bf44-0e1db9f1730c 1 2:56
1
J 646eb87b-b58e-4751-85c5-2b4fed07cf51
Also linked to Let's Do It by Billie Holiday
4 2:55–2:57
1
K 874e4615-f157-49fa-ae5c-8906f9090cf9
Also linked to No Regrets (take 1) by Billie Holiday and Her Orchestra, No Regrets by Billie Holiday and
10 2:37–2:44
1
L 0f457643-82b9-4af3-b4dc-621ee2c69eae
Also linked to Let’s Do It by Billie Holiday
2 2:59
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.