open source audio identification
MusicBrainz recording
Ride on Time (Ascot mix)
Black Box
2:57
aka (Piano Mix), (Piano Version)
cf9e67a6-16f0-493a-8f9b-20e4d5dabe90
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
16
linking them to it
Fingerprints
25
distinct audio files
Duration
2:46–6:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
64ea91c7-98ec-4be6-955a-0eee175b060b
Also linked to
Ride on Time by Black Box, Ride on Time (Ascot mix) (remix) by Black Box and
|
7 | 2:58–3:00 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 2d5e8333-8ee4-4bfc-ad10-9d1f2bb2454d | 2 | 2:58–2:59 | |||||||||||||||||||||||
| C | c86bcc51-790c-4431-945e-a5ec9c29f43e | 1 | 2:57 | |||||||||||||||||||||||
| D |
ea00e713-763a-45c8-bf1b-8c8116b0189d
Also linked to
Ride on Time (Garage Trip) by Black Box
|
5 | 6:02–6:05 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
0c29893d-7081-4394-aee4-29e6fbc78cfe
Also linked to
Ride on Time (Piano Version) by Black Box, Ride on Time (Epsom mix) by Black Box
|
6 | 2:52–2:53 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
d4f7cc60-2021-42a0-8cea-6ae50b59680b
Also linked to
Ride on Time (piano mix) by Black Box
|
1 | 2:46 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
8ee7a05f-da0b-4513-ba91-c6161e072e73
Also linked to
Ride on Time (Piano Version) by Black Box
|
1 | 2:49 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
f2297136-a40c-4652-afc4-81bfb2d4f966
Also linked to
Ride on Time (Piano Version) by Black Box
|
1 | 3:01 | |||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
98d78306-d0fb-44f4-9dc9-33f58353b167
Also linked to
Ride on Time (piano version) by Black Box
|
1 | 2:51 | |||||||||||||||||||||||
|
Recordings linked to I
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.49 | 0.48 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.49 | — | 0.30 | 0.00 | 0.00 | 0.00 | 0.00 | 0.17 | 0.00 |
| C | 0.48 | 0.30 | — | 0.00 | 0.19 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.19 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.17 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |