MusicBrainz recording
Like to Get to Know You
Spanky & Our Gang
3:11
ce864ee7-1009-4f1b-96cc-8403d64bd433
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
152
linking them to it
Fingerprints
22
distinct audio files
Duration
3:09–3:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b7ccaaac-88a7-4fe3-98ec-6f4c24670b0a
Also linked to
Like to Get to Know You by Spanky & Our Gang, Like to Get to Know You by Spanky & Our Gang and
|
5 | 3:09–3:15 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
a3a09b45-a73e-4bfb-aadb-1ade2b7dd1eb
Also linked to
Like to Get to Know You by Spanky & Our Gang, Like to Get to Know You by Spanky & Our Gang and
|
10 | 3:18–3:20 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
56c4fe54-dc05-4e06-b525-3b64c3eca95f
Also linked to
Medley: Goin' Out of My Head / Can't Take My Eyes Off of You by The Lettermen
|
1 | 3:15 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
0141fb42-71fa-4851-a302-3b958de295a9
Also linked to
Like To Get To Know You by Spanky & Our Gang
|
5 | 3:10–3:13 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 5767078b-4354-4b01-afa8-26adec510ac0 | 1 | 3:11 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.