open source audio identification
MusicBrainz recording
Sick and Sad (version nine)
Double Track
4:34
ce04c163-c028-4cae-aba3-592b6900d502
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
10
linking them to it
Fingerprints
25
distinct audio files
Duration
4:29–4:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 28601cd3-10fc-4514-a5d4-3432b482a3c9 | 1 | 4:34 | |||||||||||||||||||||||||||||||||||||||||||
| B |
4adbdad4-aa3f-47f7-82a5-87618d69cef9
Also linked to
Track 6 by Michel Thomas Method
|
2 | 4:32–4:34 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
2c0db5b3-b017-4f83-a53c-4b831daf7a74
Also linked to
Track 6 by Michel Thomas Method
|
1 | 4:32 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
9d42d0ae-d882-41a8-8a2f-b3353e412d07
Also linked to
5 by Track ID
|
1 | 4:37 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
6c726660-6bf6-44a3-94fb-72c374bd70d6
Also linked to
Track 2 by Stephen King, Cross Country by Track Star and
|
1 | 4:32 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
1883d411-4ddf-4517-9c11-4ae91ccf3528
Also linked to
Track 6 by Michel Thomas Method
|
3 | 4:29–4:35 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
c030c339-c6ff-47c4-a0f7-6abf367dd2c6
Also linked to
Stuck in a Moment You Can’t Get Out Of by U2, Stuck in a Moment You Can't Get Out Of by U2 and
|
13 | 4:31–4:37 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
09a59fee-64ac-4128-9633-9b688c2933e6
Also linked to
5 by Track ID
|
3 | 4:33–4:40 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |