open source audio identification
MusicBrainz recording
You Don’t Have to Say You Love Me
Tom Jones
2:43
cc9f7bb7-3893-4528-a741-56bc26d8eed6
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
153
linking them to it
Fingerprints
51
distinct audio files
Duration
2:33–2:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | e047f343-5fa7-46fe-aae2-559a5c1a3d26 | 15 | 2:36–2:44 | |||||||||||||||||||||||
| B | e78f0d7c-115d-4f6e-b0b6-9cb120265be1 | 12 | 2:44–2:50 | |||||||||||||||||||||||
| C |
17525d4f-e1ac-43e7-9817-392a33fd8c13
Also linked to
Don’t Cry for Me Argentina by Tom Jones
|
3 | 2:39–2:44 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | ef46e096-a1d7-463a-9695-f810e7ad55e2 | 3 | 2:41–2:45 | |||||||||||||||||||||||
| E | 78070772-67b3-428b-bfa9-6dce6776353e | 2 | 2:46–2:47 | |||||||||||||||||||||||
| F |
5860f43d-8149-4070-b427-4e96bc4bfc08
Also linked to
You Don’t Have to Say You Love Me by Tom Jones, You Don’t Have to Say You Love Me by Tom Jones
|
4 | 2:33–2:34 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 573d2d2b-669c-4d40-8673-6c585de67909 | 1 | 2:41 | |||||||||||||||||||||||
| H |
bffaff69-28b6-4bfe-baea-a6a1fa3f7cfd
Also linked to
You Don’t Have to Say You Love Me by Tom Jones, You Don’t Have to Say You Love Me by Elvis Presley
|
1 | 2:34 | |||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
d5b40305-9b34-438f-ad8a-c029d4d051f7
Also linked to
You Don’t Have to Say You Love Me by Elvis Presley, You Don’t Have to Say You Love Me by Elvis Presley
|
5 | 2:37–2:43 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J |
0ee393e1-a5e7-4411-bb74-fdbd7911b015
Also linked to
Love Me Tonight by Tom Jones, Love Me Tonight by Tom Jones and
|
5 | 2:39–2:42 | |||||||||||||||||||||||
|
Recordings linked to J
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.66 | 0.71 | 0.78 | 0.60 | 0.72 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.66 | — | 0.48 | 0.61 | 0.68 | 0.78 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.71 | 0.48 | — | 0.71 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.78 | 0.61 | 0.71 | — | 0.00 | 0.64 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.60 | 0.68 | 0.00 | 0.00 | — | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.72 | 0.78 | 0.55 | 0.64 | 0.56 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |