MusicBrainz recording
A Moment in a Million Years
Scorpions
3:39
cb87a94d-4940-44cc-b00a-aa156978be6d
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
509
linking them to it
Fingerprints
46
distinct audio files
Duration
3:30–4:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1b0c950e-b431-4358-b1f2-2136afc7c437
Also linked to
Deep and Dark by Scorpions, Living and Dying by Scorpions
|
3 | 3:39 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
4df8f72a-bce8-489a-ba36-9facdbe58c8c
Also linked to
A Moment in a Million Years by Scorpions, A Moment in a Million Years by Scorpions
|
1 | 3:48 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
3cece043-6886-4dea-a4e6-0400c1de21bd
Also linked to
Here in My Heart by Scorpions & Berliner Philharmoniker, Here in My Heart by Scorpions and
|
5 | 4:15–4:20 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 9d92c76b-f9b1-4618-9e35-e0c177d8086b | 1 | 3:39 | ||||||||||||||||||||||||||||||||||||||
| E | 791109ed-274e-44ff-bb7d-e4fda542e284 | 1 | 3:39 | ||||||||||||||||||||||||||||||||||||||
| F |
a1787f13-ad7f-4f99-a28d-eaf8adb53ce1
Also linked to
Another Piece of Meat by Scorpions, Another Piece of Meat by Scorpions and
|
31 | 3:30–3:35 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
eb84119e-1602-431e-afa7-57ec106ba9c8
Also linked to
Der Junge aus der Nachbarschaft by Swiss, Junge aus der Nachbarschaft by Swiss
|
3 | 3:37–3:40 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | ca296bb0-f4bc-400a-be97-88f321a66b6f | 1 | 3:39 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.98 | 0.00 | 0.00 | 0.31 | 0.00 | 0.00 | 0.00 |
| B | 0.98 | — | 0.00 | 0.00 | 0.31 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.31 | 0.31 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |