open source audio identification
MusicBrainz recording
Cry Baby
Melanie Martinez
3:59
explicit
cb3bb9fc-c449-4c52-892b-c189911db710
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
256
linking them to it
Fingerprints
25
distinct audio files
Duration
3:42–5:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
13247686-c4ac-4c28-8019-2a9bd8e89549
Also linked to
Cry Baby by Melanie Martinez
|
4 | 3:59 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | da1188eb-a9bd-4a4d-9e51-86952011f076 | 3 | 3:43–3:45 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
25f78db8-4b35-456c-a80b-8bf8a6962f37
Also linked to
Stressed Out by twenty one pilots, Stressed Out (Tomsize remix) by twenty one pilots and
|
5 | 3:45–3:51 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 02f40c9b-f2e1-4097-b158-f7768d0ee7bf | 4 | 5:04–5:05 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
2f8f27de-b0c2-4182-812d-2f6458cd7961
Also linked to
신속히 (RUSH) by MONSTA X
|
3 | 3:42–3:48 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 9c7cd418-f19c-4076-9e8a-cfe1b42525af | 1 | 3:59 | |||||||||||||||||||||||||||||||||||||||||||
| G | b08910c4-fc56-4944-a34f-4822eec1ec1b | 1 | 4:28 | |||||||||||||||||||||||||||||||||||||||||||
| H |
0bba860f-18b5-4b31-9850-313a538f3e1a
Also linked to
Dollhouse by Melanie Martinez
|
1 | 3:59 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
1703ed33-5e69-4ae3-a37a-b870ee0ea077
Also linked to
One Love by Marianas Trench
|
3 | 4:01–4:04 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.54 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.54 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |