MusicBrainz recording
Moth to a Flame
Swedish House Mafia with The Weeknd
3:54
cabab4df-a8e3-49ff-8b6b-88a47b30601a
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,168
linking them to it
Fingerprints
38
distinct audio files
Duration
2:51–4:01
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c59c5c81-96a2-4d9e-8017-ad0e1edbfdbb
Also linked to
Moth to a Flame by Swedish House Mafia & The Weeknd, Call Out My Name by The Weeknd and
|
8 | 3:53–3:57 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
12c0973a-655d-4862-8a7f-f681b3580ff7
Also linked to
Moth to a Flame - Radio Edit by Swedish House Mafia & The Weeknd
|
1 | 2:51 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 6e022c14-7e4f-47e5-bf15-0db9b81959f6 | 1 | 4:01 | |||||||||||||||||||||||||||||||||||||||||||
| D | e0bb099e-58f8-415a-9422-807b15800a78 | 2 | 3:50–3:51 | |||||||||||||||||||||||||||||||||||||||||||
| E |
d320994d-1cf4-420d-85e0-489bea1f8f9a
Also linked to
Who You Are by Jessie J, Who You Are by Jessie J and
|
7 | 3:49–3:50 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | d802c6b1-47aa-43fe-ab37-69c704e0d3d3 | 1 | 3:48 | |||||||||||||||||||||||||||||||||||||||||||
| G |
fe945cf1-85bb-4e27-8e82-865ccb8b880b
Also linked to
A** Back Home (Get Yourself Back Home) by Gym Class Heroes feat. Neon Hitch, Ass Back Home by Gym Class Heroes feat. Neon Hitch and
|
16 | 3:38–3:43 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | cdf8be0c-cad0-4b29-9732-9221c55b549a | 1 | 3:46 | |||||||||||||||||||||||||||||||||||||||||||
| I | 54fd0f81-b78c-4648-9aab-589662d67c77 | 1 | 3:07 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.99 | 0.91 | 0.27 | 0.00 | 0.00 | 0.00 | 0.81 | 0.00 |
| B | 0.99 | — | 0.92 | 0.26 | 0.00 | 0.00 | 0.00 | 0.82 | 0.00 |
| C | 0.91 | 0.92 | — | 0.28 | 0.00 | 0.00 | 0.00 | 0.81 | 0.00 |
| D | 0.27 | 0.26 | 0.28 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.81 | 0.82 | 0.81 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |