open source audio identification
MusicBrainz recording
Lovely Day
Bill Withers
4:01
caaadd3b-d81e-45f3-9c39-2ef5e544d0c0
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
64
linking them to it
Fingerprints
87
distinct audio files
Duration
1:39–4:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
36eb980c-e507-46a1-98b9-de7587abf061
Also linked to
Lovely Day by Bill Withers, Free (single version) by Deniece Williams and
|
34 | 4:01–4:09 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B |
766a897e-02e4-4ffd-b7ae-cf8c7a1364b5
Also linked to
Lovely Day by Bill Withers, Lovely Day by Bill Withers
|
12 | 3:55–4:01 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||
| C |
29bc68d9-2dbd-41e9-bc5f-a1a0802952c1
Also linked to
Lovely Day by Bill Withers with Studio Rio, Vamos Cantar by [unknown]
|
3 | 3:57–3:59 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||
| D |
2d413c4e-0925-47fd-a348-d55847c8988d
Also linked to
Lovely Day by Bill Withers, Lovely Day (remix) by Bill Withers and
|
24 | 4:06–4:13 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||
| E |
96be6844-d8bc-49e5-9537-65bc619a575b
Also linked to
Lovely Day by Bill Withers, Lovely Day (Sunshine mix) by Bill Withers
|
13 | 3:43–3:50 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||
| F | d5825e3d-38c7-4cf6-80a5-5ea6acea2a8d | 1 | 1:39 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.