open source audio identification
MusicBrainz recording
Thank You for the Feelin’
Bachman–Turner Overdrive
4:07
c9efda51-d2ec-49a9-9144-5ec1dd7a60b7
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
500
linking them to it
Fingerprints
50
distinct audio files
Duration
3:59–30:21
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | c0705e4a-8f9f-42e7-aeb8-e3de29e779cd | 9 | 4:05–4:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| B | 0b198916-c67a-49ec-9714-a8f4f9b68766 | 9 | 4:04–4:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | 1f3cb9d5-b338-49c3-a504-4759e99f86a6 | 1 | 4:03 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
69e80588-0151-4e01-82db-cc2ef9c39d41
Also linked to
It’s Like That by Run‐D.M.C. vs. Jason Nevins, It’s Like That by Run‐D.M.C. vs. Jason Nevins and
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21 | 3:59–4:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | c49dca78-7de4-4a6f-90d0-a6f4c09b62d1 | 2 | 4:08 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 775af355-f526-473d-9e4f-83fa986451ea | 2 | 4:18–4:25 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| G | 317e2c81-a7f3-4132-89f0-22350fad366c | 1 | 4:19 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| H |
dd8ac894-63f3-4947-938c-4f4ceccb9fe2
Also linked to
Interview by Bachman–Turner Overdrive
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3 | 30:20–30:21 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I |
ce5a84f3-438f-4c86-8d01-c10a70eb888d
Also linked to
Roll on Down the Highway by Bachman–Turner Overdrive
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1 | 4:08 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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| J | 87175f14-a1e0-488d-9529-c606ce27ae6a | 1 | 4:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.60 | 0.00 | 0.00 | 0.00 | 0.78 | 0.68 | 0.00 | 0.00 | 0.00 |
| B | 0.60 | — | 0.00 | 0.00 | 0.00 | 0.51 | 0.74 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.78 | 0.51 | 0.00 | 0.00 | 0.00 | — | 0.48 | 0.00 | 0.00 | 0.00 |
| G | 0.68 | 0.74 | 0.00 | 0.00 | 0.00 | 0.48 | — | 0.00 | 0.00 | 0.54 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.54 | 0.00 | 0.00 | — |