MusicBrainz recording

Mary Jane #1

The Beatles
c8c5dc9e-aeaa-4428-af60-a1e98f579d7d View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
20
linking them to it
Fingerprints
119
distinct audio files
Duration
1:12–4:24
range of submitted files

AcoustIDs

Most submitted first, 1 disabled
Show 1 disabled link
AcoustID Most common fingerprint Fingerprints Length Sources
A 7d5fea26-0161-4c1c-8037-01881983c844
Also linked to Come Together by The Beatles, Come Together (take 1) by The Beatles and
14 3:35–3:40
2
B adc0b03f-509e-4752-b561-cdab0398a272
Also linked to Hey Jude by The Beatles, Dear Prudence by The Beatles and
11 4:17–4:24
2
C 99128adc-67ed-4a9a-9e30-b1e1af1f5a68
Also linked to Cry Baby Cry by The Beatles, Cry Baby Cry by The Beatles and
12 2:43–2:48
2
D 74f6c0a9-d1eb-4cf3-ad11-07b8f9f1c5fc
Also linked to The Fool on the Hill (take 4) by The Beatles, The Fool on the Hill by The Beatles and
9 3:44–3:50
2
E 04677af4-9d32-44e1-b056-9743dd58adea
Also linked to Tomorrow Never Knows by The Beatles, Tomorrow Never Knows by The Beatles and
9 3:09–3:16
2
F bf837473-e350-4c38-b67e-45534afc10dd
Also linked to Yesterday by The Beatles, Yesterday (take 1) by The Beatles and
11 2:32–2:37
2
G 8df8ac35-2c85-4b22-99f8-db4b8b80a240
Also linked to Kansas City / Hey‐Hey‐Hey‐Hey! by The Beatles, Kansas City, Hey-Hey-Hey-Hey! by The Beatles and
16 2:41–2:48
2
H 8885153b-24b0-4bcd-9718-dbecfcd8776d
Also linked to Eight Days a Week (sequence) by The Beatles, Eight Days A Week (Sequence) by The Beatles and
10 1:23–1:27
2
I 15a0b028-3b21-4439-999d-4295f5a40112
Also linked to I’ll Be Back (take 2) by The Beatles, I’ll Be Back (take 2) by The Beatles and
3 1:12–1:13
2
J 80ee39ff-caac-4053-a51c-8550c9e4a085
Also linked to The Sheik of Araby by The Beatles, Sheik of Araby by The Beatles and
24 1:40–1:45
2

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.