open source audio identification
MusicBrainz recording
I’ll Be Doggone
Marvin Gaye
c7d178f5-85f1-4268-8a84-4a1aeaf5326a
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
17
linking them to it
Fingerprints
31
distinct audio files
Duration
2:42–4:47
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
321de2b5-eaaa-450b-844c-7c8d892c165d
Also linked to
I’ll Be Doggone by Marvin Gaye, I’ll Be Doggone by Marvin Gaye and
|
5 | 2:50–2:52 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
3449a9b3-27ed-4f09-b090-22f620ccc371
Also linked to
I’ll Be Doggone by Marvin Gaye, I’ll Be Doggone by Marvin Gaye
|
3 | 2:43 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
2f248857-6106-4f2f-aa37-82e2d7811120
Also linked to
I’ll Be Doggone by Marvin Gaye, I’ll Be Doggone by Marvin Gaye and
|
6 | 2:47–2:54 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | f3d08aeb-26b1-49de-8a67-be4a81ee10ed | 1 | 2:42 | |||||||||||||||||||||||||||||||||
| E | 29cd158d-a763-4b2b-b97f-d39705e6476a | 1 | 3:11 | |||||||||||||||||||||||||||||||||
| F |
471819bf-a613-43d2-be0b-289527fb2bdf
Also linked to
I'll Be Doggone by Marvin Gaye, I’ll Be Doggone by Marvin Gaye
|
3 | 3:30–3:31 | |||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G | 55916b4f-f6fc-4134-b906-8fcbb9629be2 | 1 | 4:47 | |||||||||||||||||||||||||||||||||
| H |
51ddb0eb-1a73-485a-8263-ba849aa7cc81
Also linked to
I’ll Be Doggone by Marvin Gaye, I’ll Be Doggone by Marvin Gaye and
|
11 | 2:45–2:53 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | 0.56 |
| B | 0.00 | — | 0.41 | 0.00 | 0.00 | 0.00 | 0.00 | 0.40 |
| C | 0.56 | 0.41 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.90 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.56 | 0.40 | 0.90 | 0.00 | 0.00 | 0.00 | 0.00 | — |