MusicBrainz recording
Since U Been Gone
Kelly Clarkson
3:12
c7b76f7e-d1dc-4881-8313-1ccd18cbe108
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
24
linking them to it
Fingerprints
31
distinct audio files
Duration
2:18–3:41
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5a6cfa07-296d-4939-8b64-208159fd88c9
Also linked to
Since U Been Gone by Kelly Clarkson, Since U Been Gone by Kelly Clarkson and
|
23 | 3:06–3:13 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
c77ec54f-0231-4b00-868b-7efc35b1a0d5
Also linked to
Since U Been Gone by Kelly Clarkson, Since U Been Gone by Kelly Clarkson and
|
3 | 2:55–2:58 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
febd767c-5c5b-4676-bca1-ddb3efe5ce12
Also linked to
Since U Been Gone (Nissan Live Sets at Yahoo! Music) by Kelly Clarkson
|
2 | 3:40–3:41 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
7eb33433-23be-4cbc-8bf1-57ef5d8f82e5
Also linked to
Since U Been Gone (AOL live) by Kelly Clarkson
|
2 | 3:17–3:19 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
314aebd0-5aa4-4880-9815-a94ee51fe3b6
Also linked to
Everytime We Touch by Cascada
|
1 | 2:18 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.