open source audio identification
MusicBrainz recording
One More Chance/Stay With Me (radio edit 2)
The Notorious B.I.G.
4:34
c72bd4d7-27c8-4f24-90d7-8efb960a72dd
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
32
linking them to it
Fingerprints
21
distinct audio files
Duration
4:28–4:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
50596db8-c653-4cde-b441-47f1a1c6e19e
Also linked to
One More Chance (radio edit 2) by The Notorious B.I.G.
|
3 | 4:36–4:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 749a477a-ca1b-4274-9efd-32cda4024985 | 1 | 4:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
| C |
f543d840-623b-4fa0-b93f-988aff51f605
Also linked to
One More Chance / Stay With Me (remix) by The Notorious B.I.G. feat. Faith Evans, One More Chance by The Notorious B.I.G. and
|
6 | 4:31–4:39 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
78af3834-ace7-4e8d-9e2e-e53b83e07c48
Also linked to
One More Chance (remix) by The Notorious B.I.G., One More Chance by The Notorious B.I.G. and
|
3 | 4:39–4:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
e015a6c4-656b-4414-aefa-240047c0497d
Also linked to
One More Chance / Stay With Me (remix) by The Notorious B.I.G. feat. Faith Evans, One More Chance, Stay With Me (remix) by The Notorious B.I.G. and
|
6 | 4:28–4:29 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | ff72e78a-04ae-4dd3-9f60-d4e9f6ef5f55 | 1 | 4:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 340d9fcb-a5dd-4efb-85f7-76e62145b20a | 1 | 4:32 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.