open source audio identification
MusicBrainz recording
Eye of the Tiger
Paul Anka
4:04
c7186e4f-dece-44d6-940e-f5b7e0dc5d90
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
398
linking them to it
Fingerprints
144
distinct audio files
Duration
4:00–4:18
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
71895844-dc95-49f4-9760-692939cf54b6
Also linked to
Eye of the Tiger by Paul Anka, It’s My Life by Paul Anka
|
3 | 4:04–4:05 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 961e0491-483f-4228-bd02-91082bca5691 | 1 | 4:04 | ||||||||||||||||||||||||||||||||||||||||||||||||
| C |
020d4f04-c367-4507-9c82-34978afd09a4
Also linked to
Eye of the Tiger by Survivor, Eye of the Tiger by Survivor and
|
62 | 4:00–4:07 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
2bef1a51-32d1-4d8c-af08-7c820fd20b2d
Also linked to
Everybody Hurts by Paul Anka
|
1 | 4:13 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
a3380a4f-f5fb-4e36-85ca-dcf49fc5b03f
Also linked to
Eye of the Tiger by Survivor, Eye of the Tiger by Survivor and
|
30 | 4:06–4:13 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
0d9e55fa-ca44-46dd-b19f-3c05cea9c94a
Also linked to
Eye of the Tiger by Survivor, Eye of the Tiger by Survivor and
|
45 | 4:01–4:09 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 12fc9bcd-2821-4d88-9f7b-f7a5fbb988bc | 1 | 4:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | 294b652e-0caf-4779-bcdc-bb48564d8f32 | 1 | 4:18 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.71 | 0.00 | 0.00 | 0.00 | 0.00 | 0.56 | 0.87 |
| B | 0.71 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.71 |
| C | 0.00 | 0.00 | — | 0.00 | 0.88 | 0.82 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.88 | 0.00 | — | 0.88 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.82 | 0.00 | 0.88 | — | 0.00 | 0.00 |
| G | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.54 |
| H | 0.87 | 0.71 | 0.00 | 0.00 | 0.00 | 0.00 | 0.54 | — |